[MSN] Government-backed company claims all Nazi loot from museums
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Wed Apr 18 11:51:42 CEST 2007
Government-backed company claims all Nazi loot from museums
If heirs cannot be found, the intention is to sell the works with
proceeds going to Holocaust survivors
By Lauren Gelfond Feldinger | Posted 18 April 2007
JERUSALEM. An Israeli Holocaust restitutions company is asking museums
in Israel to hand over all unclaimed Nazi-looted art and objects held in
their collections, starting with the Israel Museum in Jerusalem.
Since 1951, Israeli museums have held unclaimed works of art seized from
European Jews by the Nazis.
But survivors of the Holocaust and heirs of Nazi victims still do not
know the full extent of works held in Israeli institutions, says Avraham
Roet, the director of the Company to Locate and Return Assets to
Holocaust Survivors. “It’s been 60 years; survivors are dying daily, how
much longer can they fight [for the recovery of their property]?” asks
Mr Roet, himself a Holocaust survivor.
Since the assets recovery company was launched in November, it has
focused on recovering land and money held by Israeli institutions but is
now also focusing on the restitution of art and objects.
Mr Roet says that once he is in possession of works handed over by
Israeli museums, his company is legally entitled to sell these to raise
money for Holocaust survivors, if original owners or heirs cannot be
found. Financed by government loans, the assets recovery company is
expected to repay the loans in full using up to two percent of recovered
assets, though it opposed this arrangement.
Israel Museum officials in Jerusalem say they were surprised to receive
a letter from the assets recovery company a few weeks ago, demanding
every unclaimed Holocaust-era object and work of art. “We are now
studying the legislation,” says museum director James Snyder. He argues
that no organisation can preserve, exhibit and publish works of art
better than a museum.
Since its founding in 1965, the Israel Museum has held some 550
paintings, drawings and prints, and several hundred Judaica objects
looted by the Nazis from European Jews. These were shipped to Israel in
the early 1950s by the Jewish Restitutions Successor Organizations
(JRSO), an umbrella organisation consisting of American, European and
mandatory-Palestine Jewish associations. The JRSO was named custodian of
unclaimed Nazi-looted properties at the 1946 Paris Reparations Conference.
Two hundred of the JRSO paintings and drawings at the Israel Museum were
originally in the collection of the Berlin Jewish Museum, destroyed
during the war, though the Israel Museum has placed many of these on
long-term loan to the new Jewish museum in Berlin, designed by Daniel
Libeskind.
Of the Israel Museum’s additional 350 Nazi-looted works of art with no
ownership records, the most important and best preserved paintings are
either on display or on loan, including Egon Schiele’s Krumau-Crescent
of Houses, 1915, and Marc Chagall’s Praying Jew, 1914. Fifty of the JRSO
Judaica items are currently on display. According to the museum, most
works that are currently in storage arrived in poor condition and are of
little art historical value.
“It’s important for us to continue to hold these works. Museums are
appropriate venues for such custodianships, and in this case we were
charged to be custodians,” says Mr Snyder. “JRSO made a point of
distributing cultural property with no prior ownership records to be
held for the public good. The Egon Schiele, for example, belongs in a
museum setting—especially in Israel—where it can be appreciated by the
public.”
According to the Israel Museum, the arrival of the JRSO works in Israel
was publicised at the time and resulted in the restitution of some
works. To date, the museum has returned some 20 JRSO works to heirs of
Nazi victims.
The museum has also returned two works it had not received from JRSO: an
1897 Pissarro painting and an 1898 Degas drawing.
Because of an Israeli law enacted in January 2006 to create the assets
company, Mr Roet believes that the JRSO mandate has now been superseded
and the Israel Museum must list and display all works which could be
claimed by Holocaust survivors or their heirs regardless of the works’
value or condition before handing them over.
Last month officials from the company and the Israel Museum met for the
first time. The museum is continuing to catalogue its JRSO material,
anticipating publication, and will share this information with the
company, which will also make it public, says Mr Snyder.
A company official says that an inventory of the works in the Israel
Museum would only be “a first step”.
http://www.theartnewspaper.com
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